Kelly Cae Hogan gives Salome much nuance, her delivery soft, demanding, cajoling or powerful, always mindful of the text. She maintains the reserves and expansiveness to deliver the ecstasy of the final monologue with bravura.

— Weser Kurier

Norma

Norma on the stairs Her dramatic soprano is the center of the performance, a shining demonstration of technical spotlessness. She does justice to the part at every moment: drawing a portrait full of emotion, authority, lust for revenge, and surrender. Her voice is more plush and warm than those of her famous predecessors in the role.
Nordwest-Zeitung

Relying on the cushion of a secure middle voice, neither the extreme coloratura passages nor the highest reaches gave her the smallest difficulty. In addition, her emotional expression had much to offer, she made the part deeply her own. She gives the role, not an exhibitionist drama as Callas did, but rather a more reserved interpretation that was hugely successful.
Weser Kurier

VIDEO CLIPS

Casta Diva

Cabaletta

Non tremare

Mira, o Norma

In mia man

Deh, non volerli vittime

And a “trailer” from Theater Bremen